Agent Carter is a follow up to Captain America, the main
character being Steve’s love interest. The short clip portrays the struggles of
a female worker in male dominated industry. The usage of Mise-en-scene, sound
edits, master edits, and different shots all help establish the emotions and
tension being shown. Each works together to create the social and personal
struggle that Agent Carter suffers through in the clip simply because of her
gender.
Mise-en-scene
appears primarily through the use of lighting. The lighting is very low-key in
the first few minutes, showing the grim location and postwar situation. At
night the internal lights are turned on, changing the mood to become more tense
and suspicious. The lighting outside Zodiac’s location also gives off a noir
sense, especially with the gangster like men. Space is also used as both deep
and shallow. The scenes mostly use shallow space with the camera being directed
at the characters. The shallow space allows the character’s to be focused upon
rather than the background. In Agent Carter’s confrontations with the head
agent shallow space is constantly used. Deep space is used in the intro scene
with Captain America. Costume’s represent the difference between men and women
in the short. As the only women shown is Agent Carter she has a different
costume than all the other men, who wear almost exactly the same uniform. There
are two settings, the Zodiac location and the office. The office limits Agent
Carter from success, while the Zodiac location is run-down and freer for
Carter. Master shots, while infrequent, are used well in the limited time.
The
Marvel entrance to the short can be interpreted as Leit Motif as it is the
theme for Marvel. Simultaneity appears next with the transitions between Agent
Carter and Captain America in the first few moments. The scene continuously
cuts between the two speakers’. The emotions and increased tension in Cap’s
last moments come across with the scene ending with Agent Carter. Leit Motif is
used once again as mourning music plays throughout Cap’s death and the one year
transition. Contrast occurs once when Agent Carter is denied difficult work,
and the men returning from said mission later. The contrast shows the sexist
trust in the men who were expected to succeed, but in fact were not able to
complete the task. There is also parallelism when Agent Carter is writing her
report and then the scene transitions to outside the Zodiac location. This
creates tension as she was told not to seek the harder jobs, but she continued
all on her own. The master techniques are useful in transitioning the short
film as it emphasizes the impactful scenes in such a small amount of time.
Diegetic
are much more frequent than non-diegetic sounds. The main sounds are the music,
the conversations, sound bridge, and direct sound. The music appears as both
diegetic and non-diegetic. The diegetic form appears in the zodiac location
when Agent Carter fights against the two men. This music provides the mid-1900s
feel that the film is established in. It also shows the carelessness of
criminals and how easily Agent Carter is defeating them. Non-diegetic music is
used as the film music. Throughout the entire movie there is constant use of
film music to show emotions such as the gentle violins during the beginning to
symbolize grief. The conversations are diegetic and are used to develop the
themes of the clip such as men being condescending towards females. Sound
bridging assists in softening the transitions and is a part of the film music.
Direct sound is used when Agent Carter attacks the two men outside the Zodiac’s
location. Although it’s unlikely that the sounds are realistic, the characters
still seem to hear them. The sounds both entertain by emphasizing the fight and
also shows Agent Carter’s strength. The sounds in the film are necessary to
provide its clean transitions, show the themes, and express the emotions.
There
are a variety of shots used within the short film as well, the main one’s being
establishing shots, close shots, full shots, medium-long shots, shoulder shot,
and perspective shot. The establishing shot is done during the one year
transition, it’s a large shot of New York City. It establishes the setting and
location of the short film. Close shots and full shots are used very frequently
throughout the clip. The close shots and full shots show the different emotions
each character has. Close ups on Agent Carter show her frustration with sexist
oppression. Close ups on the other agents show their sense of superiority
towards Carter. Full shots do just the same, but show more body language. Medium-long
shots are used when Agent Carter arrives at the Zodiac location and it creates
a sense of confidence in her persona. Carter imbues an aura of dominance as she
begins to take control of her work. The shoulder shots and the perspective
shots occur during the conversations. One particular example is when Agent
Carter is asking her Boss for more work. The camera is first from Agent
Carter’s perspective and then transitions into a shoulder shot. For the few
seconds in the scene, the viewer can feel as if they are being looked at by the
Boss.
Together,
mise-en-scene, master edits, sounds, and camera shots all function together to
create the themes of the film. The sexist themes portrayed are established by
mise-en-scene and the master edit primarily. The sounds and camera shots add
the accents to the film and emphasizes emotions. The different usage of space
comes together with the close and full body shots to show how characters react.
The sound is used to transition the different camera shots and camera shots.
Agent Carter accurately sets the terrible inequality between the sexes of the
mid 1900s and even modern issues.
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